Here’s the latest top10 of unreleased tracks brought to you by Torture the Artist to give you an overview which tunes you shall look out for within the next weeks and months.
Author: Torture the Artist
MYNY, deriving from the word ‘mini’, started his career as a HipHop-DJ and producer in the 90s before turning his back on the genre – at least when it came to DJ’ing and later on to his own productions. Still his musical past has always played a role in his life, as his latest productions come in with a lush baselines, usually a trademark in HipHop music, but MYNY using it to create his own House music sound.
Benjamin Fröhlich is not new to the electronic music scene even though his first EP, ‘Rude Movements‘, was just released last year. But as co-founder of Munich based record label, Permanent Vacation, launched in 2006 with Tom Bioly, and owner of former record store, ‘Play Records’, the Bavarian has spent more than a decade spreading his passion for Disco influenced electronic music.
Following his 2016 remix of ‘Abstraxion’, the 27 year old from Brussels has decided to try his hand at Benjamin Fröhlich’s ‘Ghost Orchid’. Also released on record label Permanent Vacation, Cleveland breathes new life into the Fröhlich original.
Torture the Artist visited Paris event ‘Open Minded Party’ at La Machine Du Moulin Rouge and witnessed a fascinating Afro-House set from South African House head Culoe de Song, who played in the French capital.
Residing in Vancouver, Canada, Derrick Vnuk is no stranger to the game. With 19 years of DJ experience and a reputation for emotion-evoking music, Derrick pulls out all the stops on his latest mix.
Contributing ‘Silver Cage‘ for Engrave Ltd‘s first various artist release called ‘Engrave Ltd Vol. 1‘, Ekz makes his production debut at the same time. The nature loving Sicilian usually operating for Twelve Notes, an Italian booking agency, and representing highly respected artists from the agency‘s rooster, prefers not to be in the spotlight as he merely wants music to take over this part.
