Stakes is High is Torture the Artist’s monthly Spotify playlist with music appreciated, favored or causing some buzz in and around world wide dance floors – but basically at home at the moment.
Maybe it's one of the last pieces of Marcus Worgull's puzzle – founding a label.
Stakes is High is Torture the Artist’s monthly Spotify playlist with music appreciated, favored or causing some buzz in and around world wide dance floors – but basically at home at the moment.
The motto of David Kochs can simply be described as belter after belter and that's what the Augsburg-based artist has been delivering, release after release.
Stakes is High is Torture the Artist’s monthly Spotify playlist with music appreciated, favored or causing some buzz in and around world wide dance floors at the moment.
By virtue of an airtight track record — Âme — Kristian Beyer and Frank Wiedemann have reputed as one (or two) of the most cogent and exemplary figures in contemporary electronic music.
When Kristian Rädle and Frank Wiedemann announced their debut album 'Dream House' on Innervisions last year critiques, music enthusiasts as well as artists collectively jumped for joy eagerly awaiting the eleven-track-comprising musical 'earthquake' emphasizing the gentle side of electronic music's prolific duo.
For such a majestic locale, the thousands of people that entered through the stately doors in the heart of Kensington were generally dressed in a vivid assortment of raving attire, and looked more ready to grab a pint than to remain seated in the late Queen Victoria’s architectural shrine to her husband.
Olaf Stuut is a driven producer in the electronic music scene. EPs on Atomnation and Engrave Ltd as well as remix works for the label Last Night On Earth and Australian Indie-band The Acid have drawn attention to Olaf and his work as an artist.
Los Angeles might be the city of angels, but an inner demon unleashes its evil potential beyond the facades of perfection, which we might perceive as paradise.
Torture the Artist 