Obstacles and Tell Me Are We are just two of WhoMadeWho’s musical contributions to the scene in the past few months, each turning the same upside down, both highly anticipated and acclaimed.
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As 2019 comes to an end the Torture the Artist team sat down together to compile the end of the year chart that represents, of course, a personal preferences and what the site and its members musically stand for. So here’s the top50 of 2019 heavilly discussed and carefully chosen.
Stakes is High is Torture the Artist’s monthly Spotify playlist with music appreciated, favored or causing some buzz in and around world wide dance floors at the moment.
By virtue of an airtight track record — Âme — Kristian Beyer and Frank Wiedemann have reputed as one (or two) of the most cogent and exemplary figures in contemporary electronic music.
When Kristian Rädle and Frank Wiedemann announced their debut album ‘Dream House’ on Innervisions last year critiques, music enthusiasts as well as artists collectively jumped for joy eagerly awaiting the eleven-track-comprising musical ‘earthquake’ emphasizing the gentle side of electronic music’s prolific duo.
Perhaps our ‘innervisions; best manifest and unfold through the language of Melodic Techno & House, or maybe not.
Stakes is High is Torture the Artist’s monthly Spotify playlist with music appreciated, favored or causing some buzz in and around world wide dance floors at the moment.
Neither Raynor de Groot nor Emiel van den Dungen grew up in the Netherlands listening to Brazilian samba or Afro-jazz, but one did love percussion and the other infatuated with synths.
