Thanks to the pandemic it's only four years from now until Hudd Traxx will celebrate its 20th anniversary even when the label of perfectionist Eddie Leader has its 15 year compilation called Here & Now these days.
INTERVIEW & ART:CAST #110 Jex Opolis
Jexy is around the corner. Jexy or rather It's Me, Jexy - the third album and successor of Jex Opolis' 'midlife crisis' album Net Worth that came out on his Good Timin' label in 2020.
INTERVIEW & ART:CAST #109 Sentaku
Welcome to the Sentaku cosmos. The French/English collaborative label and collective founded by Massaï and Josh Rawl is a platform for creatives to express and portray their vision of the arts – be it visually or auditory.
INTERVIEW & ART:CAST SPECIAL Merve
Surfing on the House Music wave it's Australian artist Merve who delivers the goodies and insights around her artistical persona.
ARTIST II ARTIST & EXCLUSIVE Bawrut & Benjamin Fröhlich ‘Kirmes’ [AEON]
The Permanent Vacation head Benjamin Fröhlich and Ransom Note regular Bawrut joined forces for their upcoming track Kirmes.
ART:CAST SPECIAL & INTERVIEW Baby Rollén
If love was measurable, Baby Rollén's current and upcoming releases would break any scale. With the release of his Love Potion EP, kicking off his own label Slump Recordings, the Londoner delivers seductive music for the body, mind and soul.
ART:CAST #106 & INTERVIEW Lowtec
A musical virtuoso who's always kept a low profile and knows what to play when he plays. A label owner, who puts quality over quantity.
ART:CAST SPECIAL & INTERVIEW Dave Aju
Dave Aju is an electronic music virtuoso, an ace on deck master-selector who has appeared in dance hotspots across the globe and a wizard inside the studio, with vocal aptitude to boot.
INTERVIEW & EXCLUSIVE Lårry ‘Nines’ [Awkwardly Social]
There's this mystery about Berlin-based Lårry even after having released several EPs on labels like Super Hexagon Records, Uncertainty Principle or Fusion Diagnostics as not much is known about them.
ART:CAST #104 & INTERVIEW Mattheis
Giving the “musical journey” a proper host, Mattheis’ absorbing Techno adequately defines how the road not taken can somehow dodge the (exhausted) cliches.
