Eris Drew, the “high priestess of the motherbeat,” emerges from her log cabin in New Hampshire with her second release of 2024, namely “I Can Move” on Baby Rollen’s Slump Recordings, delivering a piece of music that encapsulates her eclectic DJ style and transformative approach to dance music. As a DJ, producer, and trans ecstatic hailing from Chicago, Eris runs the T4T LUV NRG label with her partner Octo Octa and is known for her work with labels like Interdimensional Transmissions and Naive Records. Her experiences as a long-time resident at Chicago’s Smart Bar, a DJ for the Bunker NY, and her global talks on dance music culture’s ecstatic traditions inform this latest offering.
The original version of “I Can Move” sets the stage with a vibrant mix of tribal house rhythms and expertly crafted breaks. The glitchy bleepiness adds a playful touch, while the bubbling arpeggios keep the energy flowing. A celestial melodic layer ties everything together, creating a euphoric atmosphere that’s hard to resist.
Label founder Baby Rollen takes the reins for the second track, offering a remix that leans more towards the rave scene. The beats and bass are robust, making it perfect for today’s club environments. While the remix retains the essence of Eris Drew’s original, it injects a new level of intensity, making it a surefire hit for peak-time sets.
Gallegos brings the release to a close with a slow-burning remix that draws inspiration from Carl Craig’s work under the 69 moniker. This version is more epic in scope, building gradually and steadily, echoing the raw yet danceable qualities that Craig is known for. It’s a captivating journey that lingers long after the last beat.
Eris Drew’s latest release “I Can Move” showcases her prowess in creating dance music that’s both innovative and deeply rooted in the club culture. With remixes from Baby Rollen and Gallegos, this release offers a diverse yet cohesive listening experience, ensuring there’s something for every dance floor aficionado. Triple, tasty trouble indeed!
Words by Holger Breuer
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