In the enigmatic expanse of electronic soundscapes, Sweely, the sonic gastronome, unveils his latest opus—a quintessential summer anthem that beckons like a meticulously crafted delicacy. Revered across esteemed imprints such as Butter Side Up, Limousine Dream, Airfunk, and Bokhari Records, Sweely, the French synth virtuoso, requires no formal introduction. His EP, “Time For Freakiness,” released under Pager Records, stands testament to his evolutionary finesse—a sonic amalgamation of Jazz, Funk, and Synthpop paying homage to the early days of French touch House.
Embarking on this auditory journey, “Time For Freakiness (On the Ride)” unfolds—an intoxicating elixir tailor-made for the refined palate of a sophisticated cocktail soiree. Enveloped in sleazy vocals and underpinned by the funkiest bassline, Sweely crafts a seductive composition, inviting the listener into the beguiling embrace of a sexy House affair—an enthralling commencement to the EP.
“Move For Me” takes an intriguing detour into the Electro House realm, emanating an irresistible allure. Layered effects on female vocals pay homage to the illustrious era of Ed Banger Records, infusing the track with an undeniably sexy allure that adds a nuanced layer to Sweely’s contemporary sonic palette.
The IDM-infused “Digital Lust” emerges as a breaky tune adorned with robotic vocals and a salon-style feel-good arpeggio. A delightful paradox of cheesiness and experimentalism, this track underscores Sweely’s prowess in treading the fine line between the unconventional and the alluring, offering a sonic experience that is both intriguing and captivating.
“Jazz Painter” beckons as a moment of pure jazz-funk ecstasy, characterized by meticulously crafted drums, gentle chords and pads, and a melody that ensnares the senses. Quirkily sampled vocals inject a delightful touch of eccentricity, elevating the composition into a sophisticated auditory tapestry—an artistic zenith within the EP.
Concluding the sonic odyssey is “The Music Sounds Good,” a feel-good house opus reminiscent of the early French touch era of the 2000s. Moans, vocals, and an impeccable fusion of deep house elements amalgamate with unparalleled class—a fitting denouement that resonates with Sweely’s unwavering reverence for the genre’s roots.
Sweely’s “Time For Freakiness” EP unfolds as a masterclass in auditory consistency—an evocative journey showcasing William Montana’s evolution as a producer. Each track, from the cocktail allure of “Time For Freakiness (On the Ride)” to the electro-sexy vibes of “Move For Me” and the Jazz-infused brilliance of “Jazz Painter,” represents a delectable course in a five-part sonic feast. Sweely, a perpetual boundary-pusher, not only delivers an enjoyable EP but also a testament to the timeless allure of his musical wizardry. An auditory gem not to be overlooked—a fleeting sonic delicacy capturing the essence of ephemeral summer moments. Seize it while the lingering notes grace the air.
Words by Pasha Pliskin
Torture the Artist 