Bobby Donny, a distinguished Dutch imprint, introduces the prodigiously talented Didier Chesto and his latest opus, the Good Years EP—an embodiment of Deep House tailored for enthusiasts and connoisseurs with an appreciation for refined sonic tapestries. The EP stands as a profound testament to Didier’s artistic ingenuity, underscoring his capacity to sculpt immersive and emotive auditory odysseys. Renowned for its trailblazing releases and astute recognition of emerging talents, Bobby Donny has astutely identified Didier Chesto’s potential, extending a gracious invitation to join their illustrious roster. The EP, far more than a mere display of Didier’s technical finesse, serves as a canvas reflecting his profound understanding of the genre’s historical roots while simultaneously pushing the frontiers of its artistic expression.
Embarking upon this musical journey is the opening track, Ow Yeah—a Deep House composition meticulously crafted to resonate with the dancefloor. The unwavering four-to-the-floor bassline harmoniously intertwines with a captivating deep chord array, piano sequences, and the distinctive Ow Yeah-vocals, creating a composition that strikes a resonant chord with fervent admirers of the genre.
Segueing into Good Years (Schwebba Mix), the EP takes a more laid-back stance compared to the dynamic opener Ow Yeah. However, this shift in tempo does not diminish its ambition and intrigue. Housey nuances, expressed through deep chords and spaced-out sounds, position the track as an ideal culmination for pre-peak sets or, if introduced judiciously, a continuous groover that seamlessly transcends into prime-time moments.
The EP’s denouement arrives with Hefferson, a track whose titular homage to Chicago House legend Marshall Jefferson remains shrouded in uncertainty. Nonetheless, the composition unmistakably exudes a raw Chicago Deep House aesthetic, characterized by the quintessential 303 bassline, undulating subs, and an atmospheric synth line that collectively encapsulates the essence of the genre.
In sum, Didier Chesto delivers an EP that is not only diverse but also exudes sophistication, navigating three distinct approaches to the Deep House genre with precision and finesse, each one hitting the bull’s eye of musical artistry. The Good Years EP stands as a testament to Didier Chesto’s prowess in navigating the intricate tapestry of Deep House, leaving an indelible mark on the sonic landscape.
Words by Holger Breuer
Torture the Artist 