Barcelona’s groove alchemist Baldo resurfaces from the dusky corridors of the underground, bringing with him a new chart that reads less like a playlist and more like a sonic séance – etched exclusively for Torture the Artist.
Some titles are a shrug. Others are a wink — and “Rap A2” is exactly that: a simple, sly nod that says, this is the A2, this is rap, and this one’s about to hit.
Barcelona’s groove alchemist Baldo resurfaces from the dusky corridors of the underground, bringing with him a new chart that reads less like a playlist and more like a sonic séance – etched exclusively for Torture the Artist.
When House music remembers where it came from, and still dares to ask what next?, you get something like Tino’s "Set You Free EP".
Some grooves don’t shout - they radiate. On the A1 cut from Donnie Cosmo’s debut EP "Space Time Surfer" for his own label Shuffle Valley, the mood isn’t forced - it flows.
There’s a moment in every artist’s arc where the known begins to dissolve - not in rejection, but in renewal.
Some records don’t arrive with fanfare - they slide in through the back door, light a cigarette, and let the music speak in low, confident tones.
If the "Space Time Surfer EP" charts a journey through parallel dimensions of rhythm and introspection, then Christopher Ledger’s remix of "Let Yourself Go" is the vessel that folds spacetime into a soft cocoon of musical elegance - a spacecraft carved from light and logic.
Barcelona’s groove alchemist Baldo resurfaces from the dusky corridors of the underground, bringing with him a new chart that reads less like a playlist and more like a sonic séance - etched exclusively for Torture the Artist.
This isn’t a whisper into the crowd - it’s a shout through smoke and strobe, a bouncy heartbeat for bodies already in motion.
Torture the Artist 