Five boroughs, five cuts, five love letters pressed to wax. On his debut EP “New York City”, sampling artisan and groove tactician from Nice Nuts launches his Nuts World Tour label with a fierce and affectionate deep-dive into the soul of the Big Apple.
Some records don’t just ask you to dance - they flirt, they tease, they whisper something wicked in your ear before pulling you onto the floor.
Like the first kiss beneath sodium streetlights after a night of unsaid things, “Insatiable” by Thanksmate arrives with a kind of nervous elegance.
Emerging from the fractured neon of the city’s afterhours, Anna Wall’s "The Observer" stands tall - a shadow in the mist, a sentinel scanning the restless horizon.
Like a sunburnt memory of a summer never-ending, Muelsa emerges from the shimmering Parisian haze.
Barcelona’s groove alchemist Baldo resurfaces from the dusky corridors of the underground, bringing with him a new chart that reads less like a playlist and more like a sonic séance - etched exclusively for Torture the Artist.
As if conjured from the collective subconscious of dancefloors across continents, "Game of Tunes Vol. 3" lands with the fervour of a midnight transmission from another dimension.
Like the quiet rustle of silk sweeping across a stone floor, b0n’s arrival on Magic Carpet bears the elegance of surprise.
In the ever-shifting choreography of electronic music distribution, KMA60 moves like a seasoned conductor—its gestures subtle, its impact resounding.
In the age of overexposure and algorithmic aesthetics, Mitch Wellings treads a quieter path — one lined with fog-kissed trails, the hum of analog warmth, and an ear attuned to the emotional frequencies between the beat
Torture the Artist 