In the age of overexposure and algorithmic aesthetics, Mitch Wellings treads a quieter path — one lined with fog-kissed trails, the hum of analog warmth, and an ear attuned to the emotional frequencies between the beat
Like morning light slipping through half-open blinds, "Fine" by Car Crushers feat. Tabi awakens a bittersweet longing—one that lingers somewhere between yesterday’s memories and tomorrow’s possibilities.
As twilight casts its uncertain glow over Anderson’s creative landscape, “Place 2 B” from his "All 4 U EP" on tresydos emerges like a half-remembered dream.
In the dim-lit corridors of New York’s underground, where sound reverberates against sweat-drenched walls and feet map out rhythmic constellations on well-worn floors, Tyben unveils "Solo"
If the inaugural release of Miniclic Records was the opening sentence of a whispered secret, then “Ultra Girl” is the mischievous smirk that follows.
The dusk of movement and the dawn of surrender—this is where "Consummation" unfolds.
With its inaugural release, LO VE—LowMoneyMusicLove’s freshly minted sublabel—casts its gaze beyond the horizon, setting the coordinates for an odyssey through the boundless expanse of groove.
The ignition sparks, engines roar, and "Houston" lifts off—not into the void, but into a realm where the pulse of the night dictates gravity.
Obsession starts with a feeling. It’s the hook that won’t let go, the groove that keeps circling back, the moment you realize you’ve been nodding along for the past five minutes without even noticing.
Get A Life's sophomore release arrives with a clear mission: to take foundational cuts from HipHop and Pop history and flip them into dancefloor-certified edits.
Torture the Artist 